There are brilliant scenes followed by some bold/unconvincing scenes. Thereby questioning the essence of the movie. Audiences like me end up having the question - вЂlike cheyala vadda?вЂ™ after watching the movie. Thereby questioning the character of the girl. Producers Thomas Reddy Aduri and Vijay Prasad Bandireddi should be commended for sticking to the subject and for providing the best of production values.ДЄnalysis: There is a song in the film titled вЂlove cheyala vaddaвЂ™ in which boy describes a good thing about girl and then narrates the consequence.

He has brought mood to the film with lighting. Cinematography by Rathnavelu is top notch. Bang Bang Bangkok lyrics and singing are authentic (not pretentious). Love Cheyala vadda sums up the confusion of guys regarding how girls behave. Lyrics deserve a special mention (Love Cheyala Vadda, especially). Other departments: Music by Devi Sri Prasad is trendy. I loved the iPhone concept used for title cards of the movie. The climax of the film is emotional thought itвЂ™s highly unconventional. But the episodes of hero trying to make heroine feel jealous by pairing with another girl looks cliched and it didnвЂ™t work. Screenplay is nice and interesting in the first half. Heroine talks about lack of maturity for hero in pre-interval episode, but she could have plainly told him about her past to clear it off in the beginning itself. The revelation of how it happened for father character towards climax is flimsy. He has a righteous upbringing and career objective (to be a chef in star cruiseliner of Singapore). No proper guy with humble background befriends robbers and make a living out of it. No proper girl would behave the way heroine behaves in the film. But, Sukumar takes the liberty to show both hero and heroine in grey shades. ItвЂ™s a subject thatвЂ™s identifiable to every person irrespective of gender and age. Sukumar uses Kumari 21F to show something which no other writer in Telugu has shown in the recent times. There are misinterpretations and insecurities which arenвЂ™t explored much in Telugu films. Love stories in real life are no so sweet and romantic as they portray in a typical Telugu romantic film. A woman of substance can sometimes be misinterpreted as a characterless woman. It borders between sensuousness and vulgarity. The heroine characterization is something which you wouldnвЂ™t watch to watch in Telugu films. Story - screenplay - direction: Story of the film is bold. You will see Hema in a surprising role of a hardworking single mother. Sudarshan entertains with his quirky Nellore accented dialogues.

Otherwise, itвЂ™s a character of a carefree girl with I-love-you-no-matter-what kind of attitude. There are only a couple of scenes where she got a score for emoting. Hebah Patel has similar kind of characterization for most of the time. Then as an enraged lover (dagaapadda premikudu).

As a confused and sublime lover to start with. Rest of the story is all about what happens when Siddhu falls in love and still suspects that she has a dark past.ДЄctors: Raj Tharun portray a character of different shades. Kumari keeps loving Siddhu despite of his reservations. Siddhu wants to fall in love, but is suspicious of her character. Siddhu (Raj Tharun) belongs to a lower middle class family is brought up by his single mother.

Kumari (Hebah Patel) is a small-time model and also works for movies in insignificant roles. Theater watched: Screen 2, PVR, Banjara Hills Producers: Vijaya Prasad Bandreddi & Thomas Reddy Aduri Lyrics: Krishna Chaitanya & Bhaskarabatla Ravi Kumar Cast : Raj Tarun, Hebah Patel, Noel Sean, Naveen Neni, Sudarshan Reddy, Hema, Kamal, Tagubothu Ramesh, Jogi Brothers, Satya Krishna, Giri etcД¬horeography: Prem Rakshit, Shankar & Nixon

Kumari 21 f movie